JOSÉ MIGUEL MORENO

20 años en la cumbre, en la interpretación de la vihuela, tiorba, angelica y guitarra romántica, José Miguel Moreno ha ofrecido conciertos en el mundo entero y todos sus discos han sido premiados.

José Miguel Moreno está considerado también como una eminencia en el campo de la organología y ha construido la mayoría de los instrumentos que toca.

 

CRÍTICAS

“Como solista no es fácil pensar en versiones más poéticas, fluidas ó perfectas técnicamente que las que el madrileño ofreció de las Diferencias de Narváez o la Fantasía de Mudarra: él ha marcado un antes y un después en las recreaciones vihuelísticas de este repertorio”

Luis Gago, El País, Madrid

El resultado es 73 minutos de una brillantez, una exuberancia y, sobre todo, un buen gusto que impresionará al oyente convirtiéndose este disco en el mejor disco de Sanz que se haya grabado jamás. Es el disco que esperábamos todos los amantes de la música antigua.”

Francisco de Paula Sánchez – CD Compact1

“En todas estas bellas recreaciones, Moreno está sublime, especialmente refinado, juntando como en un bodegón, flores marchitas, ramilletes silvestres y rarezas de la naturaleza, compuestas en perfecta armonía, creando un recital que se puede escuchar de un tirón, algo que dificilmente se puede conseguir cuando se escucha un monográfico del instrumento, ni tan siquiera con Narváez. El sonido especialmente bello, con una inspiración especial que hace de este disco una de esas joyas imprescindibles para los amantes de la música”

Francisco de Paula Sánchez, Madrid

 

 

 

JOSÉ MIGUEL MORENO

20 years at the top of the interpretation of the vihuela, theorbo, angelica and the Romantic guitar, José Miguel Moreno has given concerts all over the world and all his recordings have received prizes.

He is also an eminence of the Organology and he has made most of the instruments he plays with.

 

REVIEWS

 

Chamber and Polyphonic Music. Auditorio Nacional. Madrid.

"Spanish Early Music is submerged in a great paradox. It continues to be little diffused and poorly studied. However José Miguel Moreno has spent more than ten years mastering the Art of a music just so deceivingly simple ... It is not easy to think of more poetic, flowing or technically perfect versions ... He has marked a before and after in recreations for the lute".

Luis Gago

"A recital at the highest artistic level interpreting music from the Court of Charles V, a repertoire of one of José Miguel Moreno's most purified specialities ... stylistic authority and technical excellence was proved once again ... Clarity, rigour, emotion and faultless virtuosism in which Moreno stood out with such refine in playing the lute".

Pablo Queipo de Llano Ocaña, Scherzo

 

In the eyes of the critics

"José Miguel Moreno is one of the great Spanish musicians of our century. His contribution to the commemoration of the 4th centenary of the birth of Velázquez was a concentrated review of some of the jewels of Spanish Baroque. Moreno chose a mixed programme with an outstanding presence of theatre and courtesan vocal music, pieces that are rarely performed. In the instrumental pieces, Moreno and his colleagues-accomplices gave a class of eloquence and domination of the repertoire. It is surprising to listen to music that is normally confined to just the guitar. This is a sign of the times".

Luis Gago. El País

Pieces for French theorbo. José Miguel Moreno, angelica and theorbo.

"It appears that the French theorbos had a relative, although forgotten today, the so-called 'angelica'. Moreno, a proven manufacturer and player of this type of instrument, has provided here a new selection of eleven pieces probably compiled by Michel Béthune in the 17th Century ... A sovereign interpretation: clarity, balance, fingering, texture, tact, and timbre beauty .. in every instrument. A splendid recording".

Artur Reverter. ABC

 

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